Search Results for: kanye west

Bianca Censori’s Sheer Dress Draws Condom Comparisons On Night Out With Kanye West 

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Kanye West and Bianca Censori raised eyebrows on a recent night out as Ye’s wife appeared completely nude underneath her transparent tube-style dress, sparking condom comparisons. 

The couple, who are no strangers to going viral for their unorthodox attire, were snapped by photographers while on a dinner date in Hollywood. They wore contrasting outfits, with West donning an oversized black hooded bomber jacket and trousers with matching gloves and glasses. While Ye’s fit covered almost every inch of his body, his wife was somewhat more exposed. 

Censori wore a sheer tube dress, which left absolutely nothing to the imagination, apparently wearing no underwear with her nude body visible underneath the transparent fabric.  

While the public has become accustomed to Kanye West stepping out with a near-naked Bianca Censori, her latest look is going viral after social media users compared her fit to a condom.  

“The way ye dressing her really shows how big a p### addict he really is,” wrote one social media user. “Like she is wearing a condom wrapper.” 

 Another questioned, “what exactly do Bianca and kanye smoke,” while a third said, “Looks like ye got a big size condom and wrapped her in it.” 

Last year, West and Censori faced public scrutiny over their outfits and lewd antics while in Italy. Critics called for arrests or fines for their indecent exposure. 

Meanwhile, Ye’s ex Amber Rose revealed the rapper pushed her towards adopting a more “seductive” style despite her preference to dress conservatively.  

“I have always been conservative since I was young,” she said last month on the Just B with Bethenny Frankel podcast.  

“That was my first relationship with a celebrity ever but also in the public eye,” Rose explained. “And he knows a lot about fashion and he always wanted me to dress very sexy.” 






Boosie Badazz May Have Just Gotten Leg Up On Kanye West Thanks To Mike Epps & The GS Boys?

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Boosie Badazz may have just gained some traction in his standoff with Kanye West in regard to who could be more responsible for influencing rap throughout the last two decades.

According to a swiftly deleted Instagram Story post, West just realized Boosie’s “Wipe Me Down” came out in 2007 during the period he claims to have created all music styles. West roasted Boosie over the track, joking that he had nothing to do with that genre of music.

Now before I get into the segway of how Boosie’s 2007 hit “Wipe Me Down” takes a literal step past Kanye West in their current spat, we have to take a quick visit to the year 2008, when the GS Boys delivered “Stanky Leg.” Not only did the record take the country by storm, it has become a colloquial remnant of shared pup cultural universals throughout modern times.

And in a way, it’s become somewhat of a staple in dance and rap culture at large. Evidence of this theory manifest in the recent Instagram post comedian Mike Epps recently shared, which captures his interaction with one of the fans in attendance in the live audience of his sitcom The Upshaws. In summary, the brother in the audience, who appeared to be an amputee, got up and did a one-legged stanky leg for Epps and literally stole the whole show. And then Epps stole the brother’s leg.

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A post shared by Mike Epps (@therealmikeepps)

It should be obvious that I am clearly aware of the fact that the GS Boys created the song and Boosie doesn’t necessarily have anything to do with it in that regard. However, had it not been for “Wipe Me Down” in 2007, songs such as “Stanky Leg” and even the Baton Rouge rapper’s subsequent 2009 banger “Loose As A Goose” could never be. And in a sense, we wouldn’t have such a strong sense of dance culture apparent in the new generation of rap. Like seriously, think for a second about whether or not Lil Uzi’s “Futsal Shuffle” would’ve been as big as it was had there not been any number of the aforementioned records released in the decades before the 2021 banger arrived.

Not only that, the genre itself, which he describes as “Boosie Music” coupled with the emergence of Soulja Boy’s “Crank Dat” in 2007, helped form the bedrock of what we see today in music marketing trends on social media platforms such as TikTok, which are dominated by dance trends.

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A post shared by AllHipHop (@allhiphopcom)

Maybe I am preaching to the chior here, but if that’s the case, the gospel here is that Ye’s music could never have the type of effect both Boosie’s and the GS Boy’s did. Or maybe I’m reaching hella badly?

Anyways, watch the hilarious clip above.





Kanye West Lawsuit Alleges Wild Story Of His Sexual Arousal At Work Meeting

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A former Donda Academy and Yeezy employee made working for Kanye West sound like a nightmare in a lawsuit filed in Los Angeles on Tuesday (April 2). Trevor Phillips’ lawsuit detailed several disturbing allegations, including one in which Ye allegedly simulated masturbation at a staff meeting.

“While lying flat on the bed and staring up at the ceiling, Kanye began to make slow up and down motions with his hand just above his genitals – as though he was masturbating – while he recounted to Phillips: ‘I used to have orgies every day – at least two to three girls. And now, man, I can’t even lay down without jacking off,’” the plaintiff claimed. “Then, Kanye used his second hand to forcefully and dramatically grab and pull the hand making the masturbation gestures away from his crotch as he said: ‘I got to keep my hand away from my phone to keep me away from looking at p#####.’ Phillips [was] totally shocked and distraught by Kanye’s inappropriate conduct and in particular, his apparent arousal.”

According to Phillips, Ye called a woman via FaceTime after allegedly getting aroused. Phillip said Kanye previously showed nude photos of the woman to the staff.

“Stimulating his sexual arousal more, Kanye then FaceTimed a female friend,” the lawsuit read. “Phillips immediately recognized the female’s name because only a few weeks earlier, while at the Yeezy headquarters, Kanye had flaunted nude pictures of her to many of the Yeezy staff members. The female answered Kanye’s call and he commanded her, ‘Next time I see you, you better make sure you are wearing the lingerie and the shoes I got you.’”

Phillips sued Kanye for discrimination and retaliation, among other claims. The ex-employee accused Ye of threatening to put Donda Academy students in cages and mistreating Black staff members. Phillips sought at least $35,000 in damages.

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Kanye West Accused Of Threatening To Put Donda Academy Students In Cages

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Trevor Phillips joined the list of former Donda Academy employees who filed lawsuits against Kanye West. Phillips sued Ye for discrimination, retaliation, wrongful termination and more in Los Angeles on Tuesday (April 2).

According to multiple reports, Phillips said Ye used “dangerous rhetoric” and expressed a desire to create a “jail” for Donda Academy students. Kanye allegedly told two children he wanted to shave their heads and lock them in cages.

Phillips, who started working for Ye in November 2022, said his ex-boss decided to “double down” on antisemitism after Adidas and others cut ties with the controversial rapper/rapper. Kanye compared himself to Hitler “minus the gas chambers” and said the Holocaust was fake.

Ye also targeted the LGBTQ+ community. He allegedly opined how “gay people are controlled by Bill Gates so that they don’t have children for population control,” per court documents.

The lawsuit claimed Ye “treated the Black staff considerably worse than white employees.” Phillips recalled one of Kanye’s “temper tantrums” at a May 2023 service held at the Donda Academy. Ye berated Phillips over the plaintiff’s work on a garden.

“Kanye’s ill-will towards the plaintiff ultimately culminated in a vulgar lashing in front of schoolchildren and their parents,” the lawsuit explained. “Kanye even threatened Phillips with physical violence.”

Ye declared he was firing Phillips, which led to the plaintiff pleading for his job. Phillips noted his daughter attended the Donda Academy but received a brutal response.

“F### your daughter,” Kanye said, per the complaint. “I don’t give a f### about none of that.”

The lawsuit said Ye threatened to punch Phillips in the face before a dramatic change of heart. Ye told Phillips he was giving the plaintiff “one more chance.” Kanye fired Phillips again the next day, yet Phillips continued working for Donda Academy until August 2023.

Phillips sought more than $35,000 in damages. Kanye has not commented on the lawsuit.






With Kanye West, Dame Dash & Justice League Cosigns, Hassan Is Ready For The World

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Hassan’s wave began much like a pebble in a docile lake. The minute stone, metaphorically speaking, is now making waves in the music industry with his boundary-pushing collaborations and thought-provoking compositions. From working alongside icons like Kanye West and Dame Dash to producing beats for rising stars such as DeJ Loaf and Saweetie, Hassan’s influence on contemporary music is undeniable. Nowadays, Hassan pushes his creative process farther and and discussed his most collaboration with The J.U.S.T.I.C.E. League.

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“Feelings,” a track with extreme emotional depth, was originally crafted by chopping up a Nina Simone sample, but in an effort to elevate the production, Hassan enlisted the expertise of Erik “Rook” Ortiz. Rook is a globally known producer and founding member of The J.U.S.T.I.C.E. League, the production team known for working with Drake, Rick Ross, Gucci Mane, Raekwon, Conway The Machine and a host of others.

“J.U.S.T.I.C.E. League just have that luxury sound, you know what I mean?” Hassan said. “It felt like superhero music, like theme music, and for this joint ‘Feelings.’ I made the initial beat. I chopped up the Nina Simone song ‘Feelings.’ And I chopped it up and I had that piano part and I just had that loop. And then I sent it to Rook [of the Justice League] and I was just like, man, please Rook, if you could, man, if you feel the inspiration, if you feel the vibe, I would love for you to touch it and really bring it to that superhero level.”

And that is exactly what happened. The song, a few days old, has thousands of views already. His partnership with Dame Dash was forged during a another serendipitous encounter in Wyoming during a session with Kanye West. West is a source of inspiration and admiration for Hassan, who recalled playing West his album.

“Working with Ye is…it’s always a pinch me moment,” Hassan expressed still in awe. “I was playing him the ‘anything is possible’ beat. He was just mumbling. Like this line, this top line. And it’s like, man, we took that and I went and got a choir to sing that top line that he was doing. So on the record, he’s like mumbling the top line. And then I have the choir come in.”

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Born in America, Hassan’s music is deeply rooted in his cultural heritage and personal experiences. Themes of personal exile and religion are reoccuring in his work, a reflection of a Muslim father and Catholic mother. “Feelings” offers listeners a glimpse into his upbringing and relationships.

“I draw a lot from personal experiences, especially my relationship with my mother and the struggles she has faced,” Hassan shared. “Her trauma has deeply impacted me and reflects in my music, adding layers of vulnerability and authenticity to my work.”

Hassan’s artistry is to provoke thought and ignite conversation through his music. With Hip-Hop in flux, he challenges the status quo in the way true artists do.

As Hassan continues to push forward, it appears that ripple initiated by the pebble will continue evolving into a tsunami.






With Kanye West, Dame Dash & Justice League Cosigns, Hassan Is Ready For The World

Posted on by EDITORIAL FEATURES

Hassan’s wave began much like a pebble in a docile lake. The minute stone, metaphorically speaking, is now making waves in the music industry with his boundary-pushing collaborations and thought-provoking compositions. From working alongside icons like Kanye West and Dame Dash to producing beats for rising stars such as DeJ Loaf and Saweetie, Hassan’s influence on contemporary music is undeniable. Nowadays, Hassan pushes his creative process farther and and discussed his most collaboration with The J.U.S.T.I.C.E. League.

[embedded content]

“Feelings,” a track with extreme emotional depth, was originally crafted by chopping up a Nina Simone sample, but in an effort to elevate the production, Hassan enlisted the expertise of Erik “Rook” Ortiz. Rook is a globally known producer and founding member of The J.U.S.T.I.C.E. League, the production team known for working with Drake, Rick Ross, Gucci Mane, Raekwon, Conway The Machine and a host of others.

“J.U.S.T.I.C.E. League just have that luxury sound, you know what I mean?” Hassan said. “It felt like superhero music, like theme music, and for this joint ‘Feelings.’ I made the initial beat. I chopped up the Nina Simone song ‘Feelings.’ And I chopped it up and I had that piano part and I just had that loop. And then I sent it to Rook [of the Justice League] and I was just like, man, please Rook, if you could, man, if you feel the inspiration, if you feel the vibe, I would love for you to touch it and really bring it to that superhero level.”

And that is exactly what happened. The song, a few days old, has thousands of views already. His partnership with Dame Dash was forged during a another serendipitous encounter in Wyoming during a session with Kanye West. West is a source of inspiration and admiration for Hassan, who recalled playing West his album.

“Working with Ye is…it’s always a pinch me moment,” Hassan expressed still in awe. “I was playing him the ‘anything is possible’ beat. He was just mumbling. Like this line, this top line. And it’s like, man, we took that and I went and got a choir to sing that top line that he was doing. So on the record, he’s like mumbling the top line. And then I have the choir come in.”

[embedded content]

Born in America, Hassan’s music is deeply rooted in his cultural heritage and personal experiences. Themes of personal exile and religion are reoccuring in his work, a reflection of a Muslim father and Catholic mother. “Feelings” offers listeners a glimpse into his upbringing and relationships.

“I draw a lot from personal experiences, especially my relationship with my mother and the struggles she has faced,” Hassan shared. “Her trauma has deeply impacted me and reflects in my music, adding layers of vulnerability and authenticity to my work.”

Hassan’s artistry is to provoke thought and ignite conversation through his music. With Hip-Hop in flux, he challenges the status quo in the way true artists do.

As Hassan continues to push forward, it appears that ripple initiated by the pebble will continue evolving into a tsunami.






With Kanye West, Dame Dash & Justice League Cosigns, Hassan Is Ready For The World

Posted on by EDITORIAL FEATURES

Hassan’s wave began much like a pebble in a docile lake. The minute stone, metaphorically speaking, is now making waves in the music industry with his boundary-pushing collaborations and thought-provoking compositions. From working alongside icons like Kanye West and Dame Dash to producing beats for rising stars such as DeJ Loaf and Saweetie, Hassan’s influence on contemporary music is undeniable. Nowadays, Hassan pushes his creative process farther and and discussed his most collaboration with The J.U.S.T.I.C.E. League.

[embedded content]

“Feelings,” a track with extreme emotional depth, was originally crafted by chopping up a Nina Simone sample, but in an effort to elevate the production, Hassan enlisted the expertise of Erik “Rook” Ortiz. Rook is a globally known producer and founding member of The J.U.S.T.I.C.E. League, the production team known for working with Drake, Rick Ross, Gucci Mane, Raekwon, Conway The Machine and a host of others.

“J.U.S.T.I.C.E. League just have that luxury sound, you know what I mean?” Hassan said. “It felt like superhero music, like theme music, and for this joint ‘Feelings.’ I made the initial beat. I chopped up the Nina Simone song ‘Feelings.’ And I chopped it up and I had that piano part and I just had that loop. And then I sent it to Rook [of the Justice League] and I was just like, man, please Rook, if you could, man, if you feel the inspiration, if you feel the vibe, I would love for you to touch it and really bring it to that superhero level.”

And that is exactly what happened. The song, a few days old, has thousands of views already. His partnership with Dame Dash was forged during a another serendipitous encounter in Wyoming during a session with Kanye West. West is a source of inspiration and admiration for Hassan, who recalled playing West his album.

“Working with Ye is…it’s always a pinch me moment,” Hassan expressed still in awe. “I was playing him the ‘anything is possible’ beat. He was just mumbling. Like this line, this top line. And it’s like, man, we took that and I went and got a choir to sing that top line that he was doing. So on the record, he’s like mumbling the top line. And then I have the choir come in.”

[embedded content]

Born in America, Hassan’s music is deeply rooted in his cultural heritage and personal experiences. Themes of personal exile and religion are reoccuring in his work, a reflection of a Muslim father and Catholic mother. “Feelings” offers listeners a glimpse into his upbringing and relationships.

“I draw a lot from personal experiences, especially my relationship with my mother and the struggles she has faced,” Hassan shared. “Her trauma has deeply impacted me and reflects in my music, adding layers of vulnerability and authenticity to my work.”

Hassan’s artistry is to provoke thought and ignite conversation through his music. With Hip-Hop in flux, he challenges the status quo in the way true artists do.

As Hassan continues to push forward, it appears that ripple initiated by the pebble will continue evolving into a tsunami.






Amber Rose Reflects On Overcoming Her “Sexy Image” Created By Kanye West

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Amber Rose, the 40-year-old model and activist, has opened up about the pressures she faced while dating Ye, particularly regarding her wardrobe choices.

During her relationship with West, which began in 2008, Rose disclosed on the “Just B with Bethenny Frankel” podcast that the rapper and fashion aficionado pushed her towards adopting a more “seductive” style, a move that significantly impacted her public persona and self-image.

“I am conservative actually,” Amber said on the Just B with Bethenny Frankel podcast. “I have always been conservative since I was young.”

Despite her natural inclination toward conservative dress, Rose shared that West’s influence during their time together led her to embody what she describes as a “sexpot type of girl.”

Reflecting on the relationship, Rose confessed to feeling “young” and naive at the time, acknowledging the dissonance between her true self and the image she was coerced into portraying.

“I cringe,” she admitted, revealing the discomfort she now feels looking back at how she was “pigeonholed” into a certain image by the rapper’s fashion demands.

The aftermath of her split from West in 2010 left Rose grappling with a “sexy image” that she found difficult to shed, impacting her career opportunities and personal brand.

“I would have producers saying, ‘We want to do this video for MTV and we want you at the pool, with a bikini on, martini in your hand.’ And I’m like, ‘Ugh, I’m so not her.’ Like I’m so not her and I get what I come off as but I am so not her,” Amber Rose said.

Despite efforts to distance herself from this image, Rose found herself continuously typecast in roles that emphasized her sexuality over her other attributes.

“I’m so not her,” she exclaimed, voicing her frustration with being misunderstood and misrepresented in the media and industry circles.

Ye, now 46, has had a history of influencing the fashion choices of the women he dates, as evidenced in his marriage to Kim Kardashian, where he famously overhauled her wardrobe in an episode of “Keeping Up With The Kardashians.”

Similar reports have surfaced regarding his influence over the wardrobe of his current wife, Bianca Censori, showcasing a pattern in his relationships that intersects with his passion for fashion.

Besides facing the challenge of redefining her image post-breakup, Rose’s relationship with West was fraught with controversy and public scrutiny.

Ye’s post-breakup behavior included making disparaging remarks about Rose and openly discussing their intimate history in derogatory terms.

Rose accused West of infidelity and publicly pointed to Kim Kardashian as the reason behind their split.

Despite the difficulties and the bullying she faced from West post-breakup, Rose has maintained a level of respect towards him, acknowledging his influence on her fame but criticizing the negative impacts of their relationship on her personal and professional life.




Sheck Wes Claims Kanye West Stole His Cadence, Flow, Beat & Tempo For “Carnival”

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Kanye West has inserted himself in the ongoing feud between Drake and Kendrick Lamar. Ye’s recent remarks about the two Hip-Hop superstars led to Sheck Wes calling him out for allegedly stealing his musical aesthetic.

According to reports, Sheck Wes posted a response on Instagram blasting the Chicago native. The “Mo Bamba” hitmaker claimed Kanye West and Ty Dolla $ign’s chart-topping single “Carnival” ripped off the G.O.O.D. Music affiliate.

“You stole my whole cadence, flow, beat, tempo to get to #1. [You’re] delusional and [you] ain’t check in [with] the buzzins!! [You] n##### really bugged out!” Sheck Wes commented on Instagram.

Earlier this month, Kanye West and Ty Dolla $ign’s “Carnival” featuring Rich The Kid and Playboi Carti climbed to the No. 1 spot on the Billboard Hot 100 chart. The track spent two weeks in the pole position of the rankings.

Sheck Wes scored a Top 10 hit when “Mo Bamba” peaked at No. 6 on the Hot 100 in 2018. That single lives on the Mudboy album which came out via Ye’s G.O.O.D. Music, Travis Scott’s Cactus Jack Records and Interscope Records.

Kanye West caused a stir online on Thursday (March 29) by posting a message claiming he “washed” Kendrick Lamar on their “No More Parties in LA” collaboration. The 46-year-old provocateur also insisted he “washed” Drake at their joint Free Larry Hoover concert.







Kanye West Disses Drake & Kendrick Lamar Then Crowns Himself GOAT

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Kanye West sided with no one in Drake and Kendrick Lamar’s beef. Ye took shots at both rappers in an Instagram post on Thursday (March 28).

“EVERYONE KNOWS I WASHED KENDRICK ON NO MORE PARTIES IN LA,” Kanye wrote. “EVERYONE KNOWS I WASHED DRAKE AT THE FREE HOOVER CONCERT.”

Ye touted himself as the greatest of all time, listing some of the accomplishments and musical creations on his résumé. He boasted about surviving “cancellation” with his spin on Adidas cutting ties with him.

“EVERYONE KNOWS I BROUGHT ADIDAS INTO THIS CULTURE AND I TOOK THEM OUT,” he wrote. “EVERY KNOWS DEMNA VIRGIL JERRY KIM ALL WORKED FOR ME. I MADE YEEZUS DARK FANTASY PABLO GRADUATION THRONE 808S. I MADE RUNAWAY DEVIL IN A NEW DRESS FATHER STRETCH. I AM THE ONLY PERSON TO COME BACK TO NUMBER ONE AFTER CANCELLATION. THERE IS ONLY ONE GOAT. I STAND BY ME. MY FRIENDS CALL ME YE.”

Kanye ranted on social media a week after Kendrick stirred up a long-simmering feud with Drake. K. Dot dissed Drake on Future and Metro Boomin’s song “Like That,” which appeared on the duo’s We Don’t Trust You album.

“F### sneak dissing, first-person shooter, I hope they came with three switches/I crash out like, ‘F### rap,’ diss Melle Mel if I had to/Got 2TEEZ with me, I’m snatching chains and burning tattoos, it’s up/Lost too many soldiers not to play it safe/If he walk around with that stick, it ain’t André 3K/Think I won’t drop the location? I still got PTSD/M######### the big three, n####, it’s just big me,” Kendrick rapped.

He added, “And your best work is a light pack/N####, Prince outlived Mike Jack/N####, bum/For all your dogs getting buried/That’s a K with all these nines, he gon’ see Pet Sematary.”

Listen to “Like That” below.

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