Kendrick Lamar Appears To Make Vague Diddy Reference On “wacced out murals”

Kendrick Lamar has a lot of blunt, direct, intense, and hard bars all over his surprise new album GNX, but some lyrical mentions are a bit more vague. For example, a lot of fans raised their eyebrows at this particular line off of the project’s opening track, “wacced out murals.” “N***as cackling about [silence] while all of y’all is on trial,” he raps on the cut. K.Dot’s omission of the name in the song, plus the mention of the trial, got many folks thinking that he’s talking about the Diddy scandal. Sadly, though, it could also refer to other criminal proceedings in hip-hop, such as Lil Durk and Young Thug‘s predicaments.

At the end of the day, this is just a theory, and one that Kendrick Lamar clearly wanted to leave open to interpretation. But most of the other verses on here don’t offer listeners that luxury, instead opting for declarative statements that would be hard to misinterpret. For example, he also addressed the Super Bowl halftime show controversy involving Lil Wayne, making it clear that his Weezy fandom doesn’t make him feel any less indignant.

Kendrick Lamar’s “wacced out murals”

However, there are also some other moments on GNX where Kendrick Lamar gets more personally revealing, such as his remarks on his Black Hippy supergroup with Ab-Soul, Jay Rock, and ScHoolboy Q on TDE. These land on the track “heart pt. 6.” “I jog my memory, knowing Black Hippy didn’t work because of me / Creatively, I moved on with new concepts in reach,” he raps on the song. Of course, that track is also notable for its title, one that Drake already used in his battle with Kendrick earlier this year.

All that’s to say that Kendrick Lamar doesn’t pull many punches on GNX, but it’s understandable why he would want to treat the Diddy situation with caution – if that was really his intention, that is. Either way, he probably knows exactly what he’s doing with lines like that, and the impact is sometimes far more important than the intent. We’ll see what other curious bars, possible theories, and lyrical interpretations emerge as we continue to dive into this LP.

About The Author

Gabriel Bras Nevares is a staff writer for HotNewHipHop. He joined HNHH while completing his B.A. in Journalism & Mass Communication at The George Washington University in the summer of 2022.

Born and raised in San Juan, Puerto Rico, Gabriel treasures the crossover between his native reggaetón and hip-hop news coverage, such as his review for Bad Bunny’s hometown concert in 2024. But more specifically, he digs for the deeper side of hip-hop conversations, whether that’s the “death” of the genre in 2023, the lyrical and parasocial intricacies of the Kendrick Lamar and Drake battle, or the many moving parts of the Young Thug and YSL RICO case.

Beyond engaging and breaking news coverage, Gabriel makes the most out of his concert obsessions, reviewing and recapping festivals like Rolling Loud Miami and Camp Flog Gnaw. He’s also developed a strong editorial voice through album reviews, think-pieces, and interviews with some of the genre’s brightest upstarts and most enduring obscured gems like Homeboy Sandman, Bktherula, Bas, and Devin Malik.