New Mello Music Group Label Compilation ‘Bushido’ Now Available!

‘Bushido’ Features Appearances From Oddisee, Open Mike Eagle, Joell Ortiz, Quelle Chris, Alchemist, !llmind, Skyzoo, Apollo Brown, Homeboy Sandman, Kool Keith, B-Real, Murs & Georgia Anne Muldrow

In feudal Japan, the Bushido Code defined the way of the samurai. It was a blueprint to conduct warfare with honor: a system built upon the qualities of rectitude and courage, honor and loyalty. In the modern world, these historical tenets may seem antiquated, or sometimes even obsolete. But the power of tradition is resolute and unyielding. The art of the rugged drum and the razor-tongued rap are timeless.

After a decade in the music business, Mello Music Group has witnessed the dealings and promises of the record industry. Running counter-clockwise to the mainstream ethic, Mello has settled on its own code of conduct and value system. Their catalogue is a Hagakare of hip-hop — a practical and spiritual guide to the essence. While the sounds are varied, an MMG release ensures that the art comes first, the artists are religiously devoted to the upholding of standards and values. The musicians swing fast blades and fly the Mello banner with speed and strength.

This is Bushido, the latest Mello Music compilation gathering the current roster and the label’s closest brethren. As always, the core shoguns are present: Apollo Brown, Oddisee, Quelle Chris, L’Orange, Joell Ortiz, Skyzoo, and Homeboy Sandman. The rated rookies brandish sharpened swords: Solemn Brigham, Namir Blade, and The Lasso. The legacy teammates with championship trophies are all present: Open Mike Eagle, Georgia Anne Muldrow, Elaquent, Kool Keith, and Mr. Lif. So are label affiliates, Murs, The Alchemist, RJ Payne, and B-Real. The veteran general rounds out the roster, Stalley, the newest member of the Mello family. This isn’t merely an anthology, it’s a fully-formed vision of what hip-hop can be. A meticulously assembled arsenal of past, present, and future.

Label Daimyo Michael Tolle, has historically used these compilations as an opportunity to create and build, pair new collaborations, and curate the sound for the coming year. At first, these albums heralded the arrival of a new hip-hop force; now, they serve as a reminder that Mello has expanded upon the proud lineage of seminal indie labels like Loud, Stones Throw, Rhymesayers, and Def Jux. It is a sanctuary of the raw. At its core, the artists achieve a platonic ideal of hip-hop. You can hear the spirit of Mobb Deep and Wu-Tang in a song like “Iron Steel Samurai” — where The Alchemist conjures a brimstone inferno of crunching guitars and anvil drums, and Quelle Chris drops haikus in blood, dousing sauce on everything like siracha.

The label’s ingenuity partially stems from its gift at bridging the generations. Between Kool Keith, Mr. Life, Murs, Alchemist and B-Real, you have artists who fathered entire schools of hip-hop (Keith might well be the Abraham for every left-field MC ). Similarly, the first generation of Mello artists has defined the otherground of this era. Here, Oddisee, Apollo Brown and L’ Orange, embody the distinguished tradition of Pete Rock and Preemo, Dilla and Madlib. On “Gold Gloves” and “Symbol of Hope,” Open Mike Eagle whimsically balances between comic despair and existential mind wandering, like the last great member of the Native Tongues. While Skyzoo and Joell decapitate microphones with masterful swings. So on the beautiful carnage goes.

Bushido harkens back to the spark of creation that underpins the label: the rigorous code and idiosyncratic originality. A place that reveres the past, while securing the present for future generations. Something that goes on past the music, a deeper aspiration towards something that Tsunetomo Yamamoto wrote in The Book of the Samurai: “It is said that what is called “the spirit of an age” is something to which one cannot return. Although one would like to change today’s world back to the spirit of one hundred years or more ago, it cannot be done. Thus, it is important to make the best out of every generation.”

You can now purchase, add and favorite Bushido at your preferred DSP: https://smarturl.it/MelloBushido

Watch Quelle Chris & The Alchemist “Iron Steel Samurai” Video: https://youtu.be/N2hwzH8Xob0

Stream Bushido at Bandcamp: https://mellomusicgroup360.bandcamp.com/album/bushido

Bushido TRACKLISTING

Iron Steel Samurai feat Quelle Chris (prod by Alchemist)

Gold Gloves feat Open Mike Eagle (prod by The Lasso)

One Of The Last feat Marlowe (prod by L’Orange)

Yours Truly feat Homeboy Sandman (prod by Kensaye Russell)

No Trouble feat Oddisee (prod by Oddisee)

Gwan B OK feat Zackey Force Funk (prod by The Lasso)

Ya-Neishi The Vocals feat Skyzoo (prod by L’Orange)

Symbol Of Hope feat Open Mike Eagle & Namir Blade (prod by Elaquent)

Never Lived feat Oddisee (prod by Oddisee)

None feat Homeboy Sandman (prod by Iman Omari)

Bane Bran feat Quelle Chris & James Shanan (prod by Quelle Chris)

Black Rock feat Joell Ortiz, Stalley, Namir Blade & Solemn Brigham (prod by Namir Blade)

Outlast feat Dueling Experts & Joell Ortiz (Prod by Apollo Brown)

Black Man feat RJ Payne (prod by Apollo Brown)

Turnt Garveyite feat Murs (prod by Georgia Anne Muldrow)

Nightmare feat Cambatta (prod by Apollo Brown)

Rap feat Homeboy Sandman (prod by Eric Lau)

You To Me feat Oddisee (prod by Oddisee)

Zero Fux feat Kool Keith, B-Real & Joell Ortiz (prod by Nottz)

Banners feat The Perceptionists (prod by !llmind)

For More Information:

Follow Mello Music Group:

https://www.instagram.com/mellomusicgroup

Laajuvie Releases Dak Filmed Visual For “No Cuffin”

Laajuvie, a fast-rising new Miami-representing recording artist drawing popularity following her freestyles going viral, preps fans for her 2021 takeover with the new video “No Cuffin.” And with raw, crafty and outstanding lyricism, she hits the streets and delivers a furious PSA to today’s Hip Hop of her arrival. Stream “No Cuffin” via Spotify.

For her forthcoming project, the Dak-directed video displays The pole toting tauntress effortlessly raps into the camera without breaking a sweat, all while showing off a fresh manicure and a beat face. “No Cuffin” is the perfect jump-on point for any newfound fan joining the Laajuvie bandwagon.

Laajuvie’s latest single follow her first freestyle to Instagram titled “Fake Love,” which has garnered over 25K+ views organically since its release, Juvie wasted no time following up effort with another freestyle called ‘Shit Talk” that accumulated over 500 comments. Connected with EMPIRE, Laajuvie’s full-length effort is expected to draw some a-list collaborations. “No Cuffin” is produced by Ricky Hoodrich and available on 510 Music Group. After the view, for more on Laajuvie, follow her on Instagram.

Check out Laajuvie’s new visual for “No Cuffin” below.

Milano Constantine & Showbiz – “Eating But Still Hungry” (EP Review)


Milano Constantine is an MC from New York City originally coming up in the early 2000s as a D.I.T.C. affiliate. However, it wouldn’t be until 2015 when he dropped his official debut album The Believers. Since then, Milano had built up an impressive solo catalogue by putting out a total of 4 albums & an EP. But coming fresh off his collab album with Body Bag Ben entitled Write It In Blood, the East Coast vet is tapping in Showbiz for his 2nd EP that’s only on Apple Music for right now.

“Cavili Champ” is a great way to kick the whole thing off with it’s blaxploitation-like instrumental as well as Milano’s bars about “only giving soul music like Donny Hath”, but then the next song “Bank Stopper” incorporates some horns into the beat as he proclaims his magnificence. The track “Come On” goes into detail about the streets not playing fair on top of a heavenly vocal loop whereas “Gin Rummy” contains a triumphant beat & delving into why it ain’t it safe to play in the streets.

The song “Broadway Joe” reminisces about the material he’s killed over some horns & a guitar while “Night & Day” incorporates a classy instrumental as Milano gloats. The penultimate track “On My Father” is an impassioned anthem about fighting for democracy & then the closer “Save the Children” is a violin-induced banger about doing what he has to for his babies.

In my personal opinion, Eating But Still Hungry is up there with The Way We Were & Boulevard Author for Milano’s magnum opus. He & Showbiz bring the best out of each other by providing some old school, East Coast gang shit in terms of the pen game & overall sound.

Score: 8/10