HNHH Flashback: The Hype Williams Videos That Shaped Hip Hop

Right before social media and streaming platforms became a thing, Hype Williams was the maestro of experimental filmmaking in music, leaving an indelible mark in the industry since the 1990s. From his groundbreaking video in 1994 with Wu-Tang Clan’s “Can It Be All So Simple” to Kanye West’s mesmerizing “Gold Digger” and Beyoncé’s “Drunk in Love,” Hype Williams has set the bar high for what a truly impressive music video should be.  

Old and contemporary hip-hop fans will always remember how he shaped hip-hop over time with his limitless creativity and unmatchable originality. Let’s explore eleven Hype Williams videos that remain evergreen, regardless of how long they’ve been on our screens. 

Read More: Megan Thee Stallion Brings Hype Williams On Board For “Fever: Thee Movie”

11. Busta Rhymes – “Put Your Hands Where My Eyes Can See” (1997) 

Busta Rhyme’s “Put Your Hands Where My Eyes Can See” remains one of the most iconic and innovative Hype Williams videos ever. In an interview with XXL, Busta Rhyme expressed dissatisfaction with the lack of color and originality in the music videos of that time. So, he teamed up with Hype Williams to create this masterpiece, incorporating all the elements he thought music videos lacked. 

Inspired by the movie Coming to America, “Put Your Hands Where My Eyes Can See” is full of color, creativity, and Africanness, making it forever timeless. The video made its debut on MTV in mid-August 1997, gaining widespread attention on both MTV and BET networks. Even now, 27 years later, the video still gets much attention on YouTube, with over 45 million views and viewers applauding its timeless creativity.

10. Jay-Z – “Big Pimpin” Ft. UGK (1999)

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Jay-Z and Hype Williams collaborated multiple times to great effect. Hence, it is no wonder why Jay-Z is always effusive in his praise for Williams. The duo combined for a great music video for Jay-Z’s hit song, “Big Pimpin” ft. UGK. “Big Pimpin” was released as the third and final single from Jay-Z’s fourth studio album Vol.3… Life and Times of S. Carter (1999). Although the track was already a hit, Hype Williams took it to a whole new level by visually bringing the lyrics to life with his creativity. According to Williams, the song instantly transported the listener to Carnival, and he wanted the world to experience that visual with him. The video was shot in Trinidad during Carnival, though only Jay and Bun B appeared together. Apparently, Pimp C didn’t want to fly out, so he filmed his portion of the video in Miami Beach.

Read More: Jay-Z Commends Nas For “Belly,” Claims He Never Had The Desire To Act

9. Missy Elliott – “She’s A Bitch” (1999)

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“She’s a Bitch” stands tall as proof of the limitless creativity that exists between these two titans in the industry — Hype Williams and Missy Elliott. The Williams-directed video officially dropped on May 1, 1999. He adopted various cutting-edge special effects and stunning customs and set to make the video truly unique. This collaboration raised the bar for other videos with its electroluminescent stage designs and innovative backdrops. 

8. Beyoncé – “Drunk In Love” (2013) 

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Filmed at the most exclusive Golden Beach, Florida, this outstanding video features Beyoncé dancing sensually on the sandy shores while waves crash around her. Jay-Z appears, rapping beside her and holding a glass of D’usse. This captivating scene, directed by Hype Williams, received awards for Video of the Year and clinched the Best Collaboration award at the 2014 MTV Video Music Awards. 

7. The Notorious B.I.G – “Mo Money, Mo Problems” (1997)

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“Mo Money, Mo Problems” featured Mase and Combs in locations designed by Ron Norsworthy. Some of the video’s incredible aspects were the fluorescent lamps and stark white chamber. The video is quite popular for the red shiny jackets worn by Combs and Mase, which helped usher the “Shiny Suit Era” in hip-hop.

6. Kanye West – “Diamonds From Sierra Leone” (2005) 

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In “Diamonds From Sierra Leone,” Hype Williams uses a powerful visual commentary to tackle the issue of “conflict diamonds.” The video juxtaposed scenes of wealth and funfair with images of poverty and suffering, highlighting the contrast between the luxury often associated with diamonds and the harsh reality of their origins. In the video, Kanye delivered his lyrics intensely and convincingly. The video’s dark, moody aesthetic adds to its impact, captivating viewers and emphasizing the video’s theme. Overall, the “Diamonds From Sierra Leone” music video is a thought-provoking and visually striking piece that effectively displays Kanye’s message and Hype William’s creative prowess.

5. Kanye West – “Gold Digger” Ft. Jamie Foxx (2005)

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Kanye West’s “Gold Digger” is one of his most massive hits ever, revealing his vibrant personality and groove. The song featured catchy instrumentals and told the tale of a woman who valued him only for his material possessions. Hence, a music video for such a song should be an interesting watch, and Hype Williams ensured that was the case.  The video was Kanye’s first attempt to feature signees to his record label — G.O.O.D MUSIC. It received great reviews and is widely considered one of Kanye’s best music videos. 

4. Ne-Yo – “So Sick” (2006)

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“So Sick” is one of Ne-Yo’s biggest hits due to its regular rotations on BET and MTV. The song’s music video was shot in the snow and a mansion. To capture the song’s emotions more, Hype Williams directed Ne-Yo to sing his heart out, creating heart-wrenching scenes. The video topped both the Billboard Hot 100 and the U.K. charts and currently has over 355 million views on YouTube.

3. Missy Elliot – “The Rain (Supa Dupa Fly)” (1997)

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Undoubtedly one of the Greatest Hip-Hop Music Videos of All Time, Missy Elliott delivered the incredibly iconic music video for “The Rain (Supa Dupa Fly)” in 1997. The most famous aspect of the video is the patent leather blow-u suit, which resembles a bloated trash bag. The 1990s videos often featured scantily dressed women, but Missy Elliot took a different turn with her hilariously inflated trashy-like outfit. 

2. Dr. Dre and Tupac Shakur – “California Love” (1995)

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Jada Pinkett Smith, Shakur’s long-term friend, initially created the video concept for “California Love.” Her concept was inspired by the 1985 film Mad Max Beyond Thunderdome. Although Jada was supposed to direct the video, she excused herself from the production, allowing Hype Williams to take over. He did so to great effect. The music video dropped in 1995 and won the 1996 MOBO Award for Best Video. 

1. TLC – “No Scrubs” (1999)

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“No Scrubs” was one of TLC’s hardest-hitting songs and remains a classic tune to this day. The music video is similar to Michael Jackson and Janet Jackson’s music video “Scream” and ranked No. 1 on the Rhythmic Top 40 for 15 weeks. This is one of Hype Williams’ videos revealing an Afro-Futuristic, millennium outlook, with the performers wearing silver and blue metallic outfits to mimic the iconic “Scream” video.

Hype Williams: A Legend Yesterday, Today, and Forever

It’s impossible to mention legendary music video producers without Hype Williams. From his debut video to his most recent music video, Williams keeps setting the pace for contemporary music video directors. His creativity and ability to bring the most astounding music videos to life remain unmatched, regardless of how long he has been on the scene. While this isn’t an exhaustive list, these Hype Williams videos give us an insight into his unrivaled creative prowess in hip-hop and the music industry at large.

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Hype Williams Net Worth 2024: What Is The Famed Hip Hop Music Video Director Worth?

Hype Williams is a pivotal figure in the evolution of music video aesthetics. He has built a considerable fortune, with his net worth estimated at $14 million as of 2024, according to CelebrityNetWorth. Known for his visually distinctive and highly stylized video techniques, Williams has worked with a plethora of music’s biggest stars, helping to shape the visual landscape of hip hop and R&B music since the 1990s. His creative direction has defined a generation of music videos and elevated the art form to new heights.

Revolutionizing Music Videos: The Signature Style Of Hype Williams

Busta Rhymes, Kelis and Hype on the set of Rhymes’ new video ‘What It Is’ from the upcoming album. “Violator The Album: V2.0”, directed by Hype Williams in Los Angeles, Ca. 6/6/01. Photo by Kevin Winter/Getty Images.

Hype Williams began his career in the early 1990s, quickly distinguishing himself with his unique visual style that often included wide-angle shots, fisheye lens visuals, and vibrant, often surreal color palettes. His breakthrough came with his work on videos for artists like Missy Elliott, Busta Rhymes, and Tupac Shakur. One of his most iconic projects, the video for The Rain (Supa Dupa Fly) by Missy Elliott, is hailed as a landmark in music video production, introducing techniques and visual effects ahead of their time. This innovative approach set new standards in video production and made Williams a sought-after director in the industry.

Expanding Horizons: Film & Television Ventures

Ol' Dirty Bastard Shoots

QUEENS, NEW YORK–APRIL 21: Rapper Ol’ Dirty Bastard (Russell Jones) of The Wu-Tang Clan appears in a portrait with director. Hype Williams (aka Harold Williams)during a break in filming the music video for “Shimmy Shimmy Ya” in the Queens borough of New York City on April 21, 1995. (Photo by Al Pereira/Michael Ochs Archives/Getty Images).

Beyond music videos, Hype Williams has also ventured into film and television. He also directed the cult classic Belly (1998), starring DMX and Nas. Although the film received mixed reviews, it has been celebrated in later years for its artistic qualities and unique visual style, akin to his video work. Williams’ foray into narrative filmmaking demonstrated his ability to translate his video direction skills into longer-form storytelling, expanding his repertoire and influence in the entertainment world.

Lasting Impact & Current Endeavors

WSJ. Magazine 2019 Innovator Awards Sponsored By Harry Winston And Rémy Martin - Inside

NEW YORK, NEW YORK – NOVEMBER 06: Hype Williams speaks onstage during the WSJ. Magazine 2019 Innovator Awards sponsored by. Harry Winston and Rémy Martin at MOMA on November 06, 2019, also in New York City. (Photo by Lars Niki/Getty Images for WSJ. Magazine Innovators Awards )

Moreover, Williams has continued to innovate, embracing new technologies and techniques to keep his work relevant in an ever-changing media landscape. He has returned to music videos, working with contemporary stars. Further, he has also engaged in advertising, bringing his cinematic eye to commercials for major brands. His ongoing influence is evident as he mentors younger directors and continues to be a reference point for discussions about music video production’s artistic and commercial potential.

Hype Williams’ reflects his enduring success and influence in the music and film industries. His visionary contributions have defined a genre and continue to inspire new generations of artists and directors. As he moves forward, Williams’ legacy as a pioneer in music video direction remains secure, with his artistic and commercial achievements standing as a testament to his iconic career.

The History Of Rucker Park & Hip Hop

The relationship between Hip Hop and sports has long been documented. Naturally, Hip Hop culture is felt across various sports, but the history with basketball is by far the longest and richest. Rucker Park, (or simply The Rucker) sits at the epicenter of these two worlds. Or at least it used to be. Nestled in the heart of Harlem, New York, The Rucker is a cherished spot in the annals of these two cultural influences.

Read More: Kyrie Irving Spotted At Iconic Rucker Park

One Man’s Legacy 

The name of Rucker Park honors local teacher and New York City Department of Parks and Recreation playground director Holcombe Rucker. Born in 1926, Rucker grew up on 141st Street with his grandmother. Standing at 6 feet and 3 inches, he found his calling playing guard at Benjamin Franklin High School until World War II, when he dropped out of school to enlist in the war. After the war was over, Holcombe Rucker returned with one last mission: to give back to his community through the education and the game he loved so much.

In 1950, Rucker’s vision came to fruition through a basketball league that would keep kids off the streets and encourage them in both studies and hoops. This was how the Rucker Tournament was born. It was originally held on various Harlem courts until 1954 when it found its home at the corner of 155th Street and Frederick Douglass Boulevard. However, it wasn’t until 1974 that the park was officially named after Holcombe Rucker. This felt especially special because his legacy had extended far beyond the court. Rucker’s tournament wasn’t just about basketball though. It was also about education, dignity, and meaning. Over 700 individuals secured college basketball scholarships thanks to his initiative’s efforts. 

Rucker Park: The Birth Of Streetball Culture

Rucker Park soon emerged as a mecca for street basketball in the 1950s. It offered a platform for local athletes to showcase their skills on its gritty asphalt courts. Situated amidst the bustling streets of Harlem, the park embodied the raw, unfiltered essence of playground basketball. Therefore, players from across New York City flocked to Rucker, drawn by the prospect of testing their skills against the city’s best. Wilt Chamberlain was the first household name to grace Rucker Park, and the names after him could fill a book. With its chain-link fences and raucous crowds, Rucker Park became synonymous with the vibrant subculture of streetball. There, flashy moves and playground legends reigned supreme.

As Rucker Park gained prominence in the basketball world, it also became a cultural epicenter for Harlem’s burgeoning rap scene. The park’s vibrant atmosphere attracted not only athletes but also Hip Hop artists, DJs, and fans who shared a common love for the game and the music. Spontaneous rap battles and freestyle sessions became as integral to the Rucker experience as the basketball games themselves. As a result, Rucker Park helped blur the lines between sport and art. The symbiotic relationship between basketball and hip-hop flourished with players drawing inspiration from the rhythm and energy of the music while rappers paid homage to the park’s iconic status in their lyrics and music videos.

Read More: Fat Joe Recalls Classic Story About Kevin Durant’s 66-Point Game At Rucker Park

A Cultural Fusion

Importantly, Rucker Park has witnessed the rise of numerous streetball legends whose electrifying performances have become the stuff of urban folklore. In 1982, Greg Marius founded the Entertainers Basketball Classic (EBC) at Rucker Park, transforming the park into an urban amphitheater. The EBC attracted top players from across the country, including NBA stars like Kobe Bryant, Kevin Durant, and LeBron James, who relished the opportunity to showcase their skills in the hallowed grounds of Rucker. The tournament’s unique blend of competitive basketball and entertainment drew crowds of spectators and media attention. This solidified Rucker Park’s reputation as a premier destination for streetball enthusiasts worldwide.

During the late 1990s and early 2000s, Rucker Park gained further notoriety through its association with the And1 Mixtape Tour, a traveling showcase of streetball talent. Featuring players known for their flashy moves and playground flair, the And1 tour brought the excitement of Rucker Park to cities across the globe, popularizing the park’s unique brand of basketball culture. The tour’s mixtapes, which showcased the players’ jaw-dropping highlights set to Hip Hop beats, became must-watch videos among basketball fans. This also helped elevate the profile of streetball worldwide. To this day, even rappers like Machine Gun Kelly have Rucker to thank for giving them a platform.

The Rucker Park Blackout Of 2003

By the 20th season of the tournament, the Rucker’s visitors began to include the likes of Former President Bill Clinton and NBA Commissioners David Stern, Adam Silver and Stephon Marbury. But no matter who came around, the palpable excitement of Rucker marked a typical day on the court. However, one notable incident that would have shut down both the ballin’ and rappin’ worlds was the game that was never held in 2003. Jay-Z and Fat Joe were battling to be the King of New York, not just on the charts but also in business and basketball. 

Their EBC teams were stacked with top talent like Carmelo Anthony, Kevin Durant, Jermaine O’Neal, LeBron James, and more. As the competition heated up, both men kept adding to their rosters, even making last-minute changes. Jay-Z even left his tour to appear at The Rucker with Beyoncé and Steve Stoute. The anticipation was high, with rumors of surprise appearances and last-minute shake-ups. Joe also revealed that he had a surprise waiting at 57th Street with Mike Bibby and Allen Iverson, planning to bring them to the game for halftime. Jay-Z also arranged for Shaquille O’Neal to join in at the last minute. With both teams ready, and thousands in attendance, the power went out.

An Enduring Legacy

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Rucker Park’s cultural influence extends far beyond the confines of the basketball court, permeating various aspects of urban life and popular culture. The park’s iconic blacktop has served as a canvas for graffiti artists and a backdrop for music videos, immortalizing its place in the annals of rap history. From the iconic Above The Rim film, which featured acting credits from 2Pac and Bernie Mac, to lyrical tributes by pioneers like Nas and Jay-Z, Rucker Park has left an indelible mark on the worlds of sports and music. It embodies the spirit of resilience, creativity, and community that defines Harlem’s rich heritage.

Unfortunately, the park is no longer what it used to be. However, its legacy remains intact. In 2022, Rucker Park famously made history again. It became the first outdoor venue for The Basketball Tournament, a single-elimination winner-take-all event with a $1 million prize. The echoes of legends past reverberated as new stars stepped onto the hallowed ground. So the next time you pass by the corner of 155th Street and Frederick Douglass Boulevard, remember Holcombe Rucker- the visionary who turned a playground into a symphony of basketball, Hip Hop, and most of all, community. 

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5 Biggest Beefs In Hip Hop Right Now: Kendrick, Megan, Nicki, Drake, Cole & More

Hip hop is a competitive outlet with many massive egos at the top of the ladder. From time to time, conflicts are sparked between artists that create a media zeitgeist, allowing fans a real-time window into the world of clashing titans. Some rap beefs unfortunately escalate to actual violence, while others result in classic tracks such as “Hit ‘Em Up” and “The Story of Adidon.” This year has already been big for hip hop beef, with multiple rappers feuding over the top spot in the game, as well as reviving old beefs that have long been considered dormant. Here’s a look into five of the biggest 2024 hip hop beefs currently raging on.

5. Eminem Vs. Benzino

It must be a shock to many fans that Eminem and Benzino are in a conversation about 2024 hip hop beef, as their original feud occurred over 20 years ago. In the years since Eminem’s career ballooned into one of the biggest in rap’s history, Benzino has languished in relative obscurity, resulting in the latter leaning on the beef to maintain relevance. Benzino has been bringing Eminem up in interviews for years, frequently flip-flopping about whether he respects the white artist and considers him emblematic of the culture or not.

Eminem kicked off 2024 by reigniting the hip hop beef with Benzino on wax, throwing numerous shots at the 58-year-old on the Lyrical Lemonade track “Doomsday Pt. 2.” Since then, Benzino has been on an all-out press tour, crying on Drink Champs and dropping lackluster tracks such as “Rap Elvis.” For now, it seems unclear whether or not Eminem will respond and keep the beef going, though he is rumored to be dropping an album this year, so more shots could be on the way.

4. 50 Cent Vs. Stevie J

While 50 Cent and Stevie J have not gone at each other on wax during their recent feud, the beef has seen them both making hilarious and vicious attacks on social media. 50 has been incessantly trolling Diddy during the mogul’s recent legal controversies and scandals, prompting Stevie to refer to the Get Rich Or Die Tryin rapper as an “Uncle Tom” who “wants to bring the Black community down.” Unsurprisingly, 50 Cent responded using his trademark humor and wit, deriding Stevie by calling him “Diddy’s boyfriend.” This discourse comes soon after Stevie J demanded 50 meet him in person so they could settle their differences face to face.

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Nicki Minaj and Megan Thee Stallion have also kicked off 2024 with a massive hip hop beef, exchanging bars and social media posts with each other since January. Megan seemingly launched the feud with the track “Hiss,” which included pointed lyrics referencing Nicki Minaj’s support for her husband, who is a registered sex offender. While “Hiss” was the first track to bring the beef to the forefront of our timelines, Nicki and Megan have actually been throwing subliminal shots at one another since 2022.

However, there was nothing subliminal at all about Nicki Minaj’s response to the track, which saw her cracking wise about Meg’s dead mother, referencing the Tory Lanez shooting situation, and dropping an abysmal response track titled “Big Foot.” Fans of Nicki Minaj have taken the beef a step further by locating the burial plot of Meg’s late mom and threatening to commit acts of vandalism on the site, forcing the cemetery to increase security.

Ice Spice and Latto have become embroiled in something of a proxy war as a ripple effect of Nicki Minaj and Megan Thee Stallion. Though the pair have not committed to dropping explicit diss tracks aimed at each other, the talented femcees have each dropped several social media posts and lyrical hints loaded with shade. In January, Latto posted a snippet of her new track “Sunday Service” with an Ice Spice video playing in the background, causing some fans to theorize that the pointed lyrics “I just want a one on one, don’t know why she so nervous” are about her.

Ice Spice herself seems to believe this, referring to the video as a “weak ass snippet” and responding with more subliminal shots on her record “Think U The Sh** (Fart).” On the track, Ice Spice raps, “I got my foot on they necks, I can’t let up / She all on the floor, told her get up,” seemingly referencing Latto’s hit single “Put It On da Floor.” This 2024 hip hop beef has been quiet for the last few weeks, though fans assume more shots are likely incoming.

1. The Big 3 Clash (And Also Ye, AKA Kanye West)

Kendrick Lamar is at the center of the biggest 2024 hip hop beef, which threatens to take on just about every name in the industry. When Kendrick dropped his landmark verse on Future and Metro Boomin’s recent record “Like That,” he took aim at J. Cole and Drake, rapping, “Think I won’t drop the location? I still got PTSD / Mother*** the big three, n**** it’s just big me.” Drake responded with some fiery words on stage during a tour stop, though J. Cole has not said anything publicly about the verse at this time.

Obviously, Future and Metro Boomin have co-signed Kendrick’s verse, placing themselves in the feud with Drake as well, while other rappers like Rick Ross, The Weeknd, and Travis Scott have seemingly thrown their support behind the PGLang founder by making appearances on We Don’t Trust You and refusing to speak on Drake’s behalf. Unsurprisingly, Kanye West felt compelled to include himself in the hip hop civil war of 2024, referring to himself as the one true GOAT and claiming to have “washed” both Kendrick and Drake in past collaborations.

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7 Best Hip Hop Moments On “Sesame Street”

Hip hop and Sesame Street have more in common than people realize. For one, they’ve both been around for relatively the same amount of time. Sesame Street celebrated 50 years in 2019 and we know hip hop celebrated 50 years in 2023. Both are also staples in American history and have changed and progressed with the times.

Sesame Street has continued to find more and more ways to appeal to their current audience as time has progressed. However, having current musical personalities as guests will always be one of their sure-fire methods to bring smiles to viewers across the generations. SZA is the latest artist to appear on Sesame Street. While she is certainly not classified as a “hip hop artist,” she did some rapping on her Grammy-winning album SOS.

Music has been an integral part of Sesame Street since it’s been on the air. Artists from all genres have appeared on the show, joining the Muppets to sing about a variety of letters, numbers, and positive topics. Several rappers have appeared on Sesame Street across the years and in some cases, they didn’t even rap in their appearances. In this list, we’re looking at seven rappers who have appeared on Sesame Street.

Read More: Sesame Street Introduces New Black Muppets To Teach Kids About Race

Ice Cube is a hip-hop artist who appeared on Sesame Street in 2014. Though a pioneering figure in gangsta rap, Ice Cube certainly shifted towards a more family-friendly image as the years went on. He began to mostly use it for a comedic context which longtime supporters continue to have mixed perspectives on.

However, his appearance on Sesame Street is not surprising given his starring roles in the family comedies Are We There Yet? and Are We Done Yet? In his time on the show, Elmo and him discuss the word “astounding.” Cube performs some magic tricks with his final one being turning himself into a literal ice cube. Interestingly enough, his connection to Sesame Street does goes back to his days as a rapper. He sampled an original song from the show called “Big Bird Writes A Poem” in his song “A Bird In The Hand.”

Ice – T (2007)

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Similar to Ice Cube, Ice-T is an integral figure in gangsta rap, though as time went on, he also began to embrace a more mature presence in the media. As a result, he appeared on Sesame Street, though his appearance on the show wasn’t his first time brushing shoulders with the cast. Elmo was there during his appearance on Late Night With Jimmy Fallon in 2009.

During his segment on Sesame Street, the rapper appeared on the set of Law & Order. While weaving the crime thriller’s essence into the family-friendly show, he came through with some educational bars surrounding rhyme schemes.

Read More: Lil Nas X & Elmo Put New Spin On “Elmo’s Song”

Queen Latifah (1992)

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Queen Latifah established herself as hip-hop royalty early on and her appearance on Sesame Street arrived at the height of her music career. Her friendly personality translated well to her segment where she did a rap about the letter “O.” Her segment was actually a music video complete with costume and background changes where she was joined by Muppet co-stars Merry Monster and Prairie Dawn, who were dressed like her. Telly Monster is also on the song and his dilemma is the center of the song’s subject. The flow and production on the song may cause some to think of “That’s The Way We Flow,” which this song parodies.

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Chance The Rapper is one of the two rappers from the current generation who’ve appeared on the show. And surprisingly, his segment doesn’t deliver any bars. The rapper’s appearance focused on the letter “T” and how it stood for “theater”. He was in a play with Cookie Monster that Elmo directed but there was a small humorous miscasting with their roles. The segment showed Chance’s comedic side which has shown up throughout his career and music. It came to the forefront when he became the host of Punk’d in 2020.

Read More: Chance The Rapper In Talks To Join “Sesame Street” Movie

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Out of everyone on our list, Pharrell may be the least surprising entry. Pharrell has expanded far past the world of hip-hop with his entrepreneurship, fashion and other endeavors. Appearing on Sesame Street in 2016 was another notch on his endless resume. During his appearance, he performed a song that focused on his singing abilities. This one was also a music video with several shots of Elmo and Cookie Monster dancing along to the song. The song was about the letter “B” and more specifically – how it’s the first letter in the word “book.” Pharrell sings about the importance of imagination with books and as many of his supporters know, innovation, imagination, and creativity are pillars of his brand and image.

Common (2012 & 2019)

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Common is a hip-hop artist who has always had a positive image and message in his music. It’s very fitting that he would appear with the Sesame Street characters. It’s even more fitting that he wrote an original song for them about the forever important concept of respect. The song titled “Give It, Live It, RESPECT” was shared via a music video that featured practically all the Sesame Street Muppets. Appearing alongside Common in various areas of a recording studio, they happily rapped the chorus and other parts with him. This did not take place on a specific episode of Sesame Street but was part of their campaign to celebrate 50 years of Sesame Street in 2019.

Common also appeared on the show in 2012 alongside Colbie Caillat to perform a song called “Belly Breathe.” Elmo was also included in this song. The song taught children how to calm themselves when they were upset by just putting their hands on their stomachs and taking deep breaths. Common’s rapping once again was utilized here positively and educationally.

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Anderson Paak is the second current generation hip-hop artist on this list. Unlike Chance, music was at the forefront for his segment on Sesame Street in 2022. Once again, Elmo and Cookie Monster were the featured characters. In it, the trio sings and raps about holidays of all kinds from around the world. Anderson .Paak’s fun personality translated well through his performance in the segment where his wide smile was on display as expected. He also played the drums while performing the song, a feat he often does in his music too.

What are some of your favorite hip-hop moments from Sesame Street? Let us know in the comments section.

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Graffiti: The Visual Language Of Hip Hop

Hip Hop is a 50-year-old testament to resilience, creativity, and art. As with every music genre, it comes from a backdrop of rich history and tradition. For those unaware, the most basic part of hip-hop history is the understanding of the five pillars that make up the genre. Hip-Hop has five pillars, and these are rap (emceeing), DJing, breakdancing, Graffiti, and knowledge. Of these artistic mediums, rap is the most familiar to a majority of people, so much so that the word has become interchangeable with Hip Hop itself, which is a larger umbrella of multiple art forms and traditions. On the opposite side of the popularity contest is Graffiti, an old, yet essential pillar with a convoluted and remarkable history. In honor of Black History Month, journey through the history of spray cans, tagging, expression, misunderstandings, and every other facet of Graffiti in Hip Hop.

Read More: Graffiti Artists Secure The Bag In Destroyed 5Pointz Mural Lawsuit

1960s: Graffiti Is Born  

Graffiti as an artform predates rap, and perhaps the other two elements of Hip Hop, by at least a decade. It is also decidedly the legacy of two artists: Cornbread and TAKI 183. Cornbread was the tag name of Daryl McCray. The daredevil artist, at the peak of his notoriety, reportedly tagged a Philadelphia zoo Elephant, as well as the Jackson 5 airplane. However, Graffiti in Hip Hop is sometimes never traced to him, but instead to TAKI 183, the Greek-American artist who dominated the Bronx in the 1960s. 

In fact, many sources name TAKI 183, and not Cornbread, as the founder of Graffiti in Hip Hop. This is because it was he who led the charge in New York, the birthplace of the genre. TAKI was short for Dimitraki, his birth name, while 183 stood for his home address at 183rd Street, Washington Heights. It has been alleged that Taki learned Graffiti from JULIO 204, who Graffiti’d with Cornbread in Philly before moving to New York.

Taki infamously tagged subway stations and cars. Moreover, he tagged the walls of public buildings, including those along Broadway, and inside JFK airport. Where Cornbread was daring, Taki was speedy. He was such a problem for New York City, that his “vandalism” made the front page of the New York Times in 1971. Remarkably, he was just 17 years old at the time. As his legacy, TAKI 183 led to the development of a generation of artists, who, in trying to compete with him, would eventually merge Graffiti with Hip Hop. It is also he who invented the tag style of pairing a mononym with an address.

1970s: Hip Hop Is Fully Formed

A woman walks past a subway train covered in graffiti, in the Times Square subway station, New York City, New York, May, 1973. Image courtesy National Archives. (Photo via Smith Collection/Gado/Getty Images).

The 1970s was a time of birth and rebirth for what would become the other three pillars of Hip Hop. On August 11, 1973, a group of teenagers threw a back-to-school party that would change history. Held in the rec room of a Bronx apartment building, the iconic party was deejayed by Kool Herc, a Jamaican-American DJ, who pioneered deejaying. After the art of deejaying, came breakdancing, a form of dance invented to mimic the breaks between the tracks which the DJ mixed. The fourth horseman, Emceeing (rhyming) would also happen organically in a similar manner.

The ‘70s also saw a new generation of Graffiti artists and styles. Phase II, Wild Style, Futura 2000, Fab 5 Freddy, Lee Quiñones, Dondi, and Lady Pink were important figures in the movement. Unsurprisingly, as Hip Hop became more widespread, Graffiti and the other elements were forced to jostle for public space. This usually took place in melting-pot locations like The Roxy, a roller-skating rink and roller disco located in Chelsea, Manhattan. 

The Roxy was opened in 1978, and it was one of very few spots for urban art forms. There, breakdancers could perfect their moves, and Graffiti artists could test new forms and styles. In the same vein, DJs and rap MCs like Afrika Bambaataa, Grandmaster Flash, and Kool Herc provided entertainment. It was either that or competing for dominance. As the ‘70s rolled to an end, the mainstream community began to develop an interest in these Black-centric art forms. This would become the gateway for the explosion that would come in the ‘80s.

Read More: The Nipsey Hussle Memorial Has Been Fixed By Artist Joey Batts

1980s: Graffiti Becomes “Cool.”

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Hip Hop was arguably the biggest cultural renaissance of the century at the time of its origination. It brought street elements and urban grit into the American cultural landscape. Street photography was equally popular, with Graffiti serving as an essential backdrop, resulting in Hip Hop becoming an overwhelming influence. Therefore, to “look like Hip Hop” was to be cool; To have “street cred” became something to aspire for. This is why iconic pictures like the 1987 photograph of English pop group The Outfield with a Graffiti background exist. In summary, by the 80s, everybody wanted a piece of the Hip Hop pie.

However, all of Hip Hop’s “pillars” existed distinctly as separate art forms for the most part. The only common denominator was that they were adopted en masse, at the same time, by an entire generation of young Black and Brown people from working-class New York communities. The conjoining of DJing with emceeing came first and dominated the music scene. Breakdancing followed naturally, but Graffiti was left out of Hip Hop’s reign for a bit.

This was until it was time to export these Black-centric art forms to the larger society. These “exports” were events like the New York City Rap Tour of 1982. Furthermore, viral music videos like “Buffalo Gals” by Malcolm McLaren, a white artist, were recorded in the streets, parks, and skating rinks. On display in these areas were visibly noticeable Graffitied walls and floors.

Graffiti’s Impact On The Overall Hip Hop Scene

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This does not diminish the contributions of Graffiti artists who inhabited the spaces of music and art at the same time. For example, Phase II and Futura 2000 both put out rap albums and contributed to the development of Hip Hop outside of Graffiti. Basquiat also produced and arranged Rammellzee VS K-Rob’s “Beat Bop,” and made an original artwork for the cover. However, the most impactful artist who actively worked toward the unification of all of Hip Hop’s elements was Fab 5’s Freddy. “I developed these theories that all these elements of urban culture were beginning to seem like one big thing,” he said. “I helped explain to people that Graffiti was part of Hip Hop. It was always something I saw as one cultural movement.”

Freddy took his Hip Hop gospel very seriously. In 1983, he made an independent film: Wild Style with filmmaker Charlie Ahearn. He made sure to show off as much of his theorized Hip Hop elements as possible in the film, including a massive concert in the Lower East Side. One year after Wild Style, Beat Street hit the shelves, produced by Harry Belafonte. It had the exact premise as Wild Style, but was far more commercially successful. After the two films, Hip Hop became a Hollywood product and was sold far and wide. Afterward, it became an identity, and people were finally catching on to Freddy’s gospel.

Graffiti Gains Favor

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Indeed, Freddy was an active and conscious participant in building Hip Hop to encompass all elements, including Graffiti. Nonetheless, a number of other pioneers did it unconsciously. For example, the first time Graffiti was spoken of favorably in a major outlet was by Richard Goldstein of the Village Voice. He also made sure to give rap a shoutout in the same article. In 1983, the Graffiti photographer Henry Chalfant made his critically famous documentary film, Style Wars. Style Wars was a documentary about Graffiti in New York, the teenagers who made it, and the governmental powers who fought them. However, by the time the film hit the shelves, Chalfant had also fallen subject to Freddy’s gospel. As a result, he included the street struggles of rapping and breakdancing too, albeit to a smaller extent. 

Legacy

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From Jay-Z’s Basquiat haul to Chris Brown’s colorfully Graffitied mansions, Graffiti and Hip Hop are a timeless duo. Furthermore, they continue to complement each other today. This will go on as long as the genre remains alive. Whether succinctly or overtly, the two art forms will always rely on each other for identity, prominence and meaning. Graffiti may not be as talked about today, but it’s responsible for much of the genre we know and respect. 

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Picture of Nidawayy

Emerging Hip Hop Force NidaWayy Shines With Her Self-Titled Debut EP

NidaWayy is paving her own path and establishing herself as a rising force in the hip-hop scene with her self-titled EP. In a recent interview, the rapper shed light on the underlying message and vision she aimed to communicate through her music. She expressed that her songs serve as a reflection of real-life situations and moments, acting as a means of communication for her enigmatic personality. 

Including the three tracks, “Time Run Out,” “Dead Roses,” and “NidaWayy,” the EP captivates listeners with its relatable themes and infectious beats. The artist explains that the second song from the record was born from a place of sadness, anger, and frustration, serving as a cathartic outlet for her experiences. By flawlessly blending heartfelt lyrics with her unique flow, she effectively conveys intense emotions, resonating with audiences on a deep level. 

In “Time Run Out,” NidaWayy confronts the ticking clock and the urgency to pursue her dreams. She expressed that while time may be limited, she remains undeterred, understanding that the world will continue to spin regardless. Her conviction to chase her dreams and make the most of her time sets her apart, while her artistic expression is inspired by the support of her family and friends, who play a significant role in her music video for the track. 

Despite the inevitable negativity that can arise, NidaWayy remains focused on her craft and maintains a positive mindset. Writing serves as her escape, allowing her to create a world of her own where previous emotions hold no power. By channeling her feelings into her music, she connects with her audience and transforms challenges into opportunities for growth. 

Watch the official music video for “Time Run Out” here:

Listen to the full EP below:

Swedish Hip Hop Artist NRE Pleas With “The One” (Audio)

NRE · The One

Swedish Hip Hop artist NRE delivers an emotional record titled “The One.” A backdrop of electric guitar tempos laced with striking melodies accentuates the blend of passioned vocals and rhymes.

“The One” is a relatable track about a relationship that derails and spirals, and at times almost feels like an addiction. NRE owns his mistakes and is now missing his best friend and soulmate. He recounts distinct memories and a desire to feel her touch which gives him chills.

From the beginning to the end of the record NRE pours his heart out, which is somewhat rare and lost in newer music. He has no qualms about expressing himself and sharing his perspective on a relationship gone wrong. Stream “The One” and connect with NRE below.

https://www.facebook.com/NREofficial/

https://www.instagram.com/nreofficial/

Iconic Piano Riffs in Hip Hop (Word Is Bond Rap Radio)

Charles Cornell has an amazing YouTube channel where he breaks down the musical elements of different songs. He often plays along on the piano as he listens to a song and tries to figure out what makes it work. His videos touch on all sorts of eras, genres, and mediums.

One of his most recent ones breaks down some iconic piano riffs in Hip Hop. He explores some great songs and even teaches us how they were created sonically.

On his YouTube channel he only includes snippets of the songs, I played each song in its entirety this episode while still managing to get all his insights and commentary in there.

I kick off and close out the show with a mixset of more songs that have great piano riffs in them. And there are so many more that I didn’t get to. Perhaps a sequel is needed.

Until then, let’s tickle those ivories!

Chase March & Wizekrak – Word is Bond Theme
The Grouch & Eligh – Piano Guy
Jay-Z – Dead Presidents
Masta Ace & Marco Polo – Breukelen “Brooklyn”
Babylon Warchild ft Punchliemn & Wordsworth – Piano Keys
Miilkbone – Keep It Real
O.C. – Word…Life
Godd Boddies – Get Down On Your Knees
Dan-e-o – Dear Hip Hop
Moore & Exit Only – The Chant
Frankenstein – Rain is Gone
G-Unit – Poppin’ Them Thangs
Nas – NY State of Mind
Nas – The World Is Yours
Eminem – Mockingbird
Kendrick Lamar – Humble
Lupe Fiasco – I Gotcha
Tyler the Creator – See You Again
Wu-Tang Clan – C.R.E.A.M.
2Pac ft Dre Dre – California Love
Dr Dre – Still D.R.E.
Raw Fusion – Rockin’ To The P.M.
Young MC – My Name is Young/
Rakim – When I Be On Tha Mic
Kanye West ft Adam Levine – Heard Em Say
Talib Kweli – Get By
The Notorious B.I.G. – 1970 Something
Jay-Z – Lost Ones
E. Bros – Funky Piano
Swamp Thing & Uncle Fester – Cashews
2Pac – Changes

Original Air Date – Thursday October 20th, 2022

Download This Episode

Downloads are available to Patreon supporters. You get weekly downloads and streaming links days before anyone else and can get even get on-air shout-outs, personalized mixes, and more.

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Hip Hop Since Day 1 – WIBRapRadio Episode 541 (Ticket Giveaway)

It feels as though I have been Hip Hop Since Day 1. I can’t remember it ever not being a major part of my life. I was born around the time it was as well. Maybe that is one of the reasons I resonated with the title track this week.

Cymarshall Law is an artist I have been bumping for a minute now. He’s dope!

So is this hour of the program. I hope you enjoy it as much as I did mixing it!

Listen to see how you can win tickets to the Anders, Dom Valliem Roderick Porter, and 2Time concert THIS WEDNESDAY at Rum Runners in London, ON. Canada.

Chase March & Wizekrak – Word is Bond Theme
BoFaatBeatz ft Thrust OG, Edo G, & Tone Spliff – OG’s In This Game
Cymarshall Law ft Magiver Knowledge & Blackbelt Poemz – Hip Hop Since Day 1
Full Blast Squad – TriState Heat
Mickey Blue ft Copyright & M-Dot – Don’t Blink
Coops – I Keep Going
S Eyes Finest ft Raz Fresco & Shadow the Great – Golden Era
Deep of 2 Hungry Bros ft Rob Cave, Jemiside, Von Pea, & Don Will – Mandelbaums
Words & Vic Grimes – Double Dragon Elbows
Jas Mace & Marcitect – What’s The Deal
Yasad One – Aza
The Scribes & Vice Beats ft Dizzy Dustin – Hype
Chill Rob G – One Minute
Wildchild ft Murs – Peace of Mind
Forge One ft Gutter Writers – Justice
Hip Club Groove – Bay O Funday
Kyprios – Carousel
Biz Markie  – Nobody Beats the Biz
Naughty By Nature ft Queen Latifah – Wickedest Man Alive

Original Air Date – Thursday October 6th, 2022

Download This Episode

Downloads are available to Patreon supporters. You get the the weekly downloads and streaming links days before anyone else and can get even get on-air shout-outs, personalized mixes, and more.

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Interact with us online

Facebook – The Word is Bond, Word is Bond Rap Radio, Chase March
Twitter – The Word is Bond, Chase March
Instagram – The Word is Bond, Chase March
Follow Radio Western on Facebook, Twitter, and Instagram